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So these theories and observations range from being way out there to I guess making sense. I'll update whenever I think of a new one. You don't have to comment or anything if you don't want this is kinda just serving as a storage vault for the crackhead kpop questions I have.
1. Lee Know, Wooyoung, and Yeosang left Big Hit Entertainment because they weren't tall enough to be in TXT.
We all know that TXT are all giants compared to most idols, with their tallest member Soobin being 185 cm/6 foot 1 inch, and their shortest Taehyun being 177 cm or 5 foot 10 inches.
Lee Know and Wooyoung are both 172 cm or 5 foot 7 and Yeosang is 173 cm or 5 foot 8.
So did Bighit not want such a big height difference in such a small group?
Did Bighit aim to debut a group on the taller side, in order to attract a different audience?
Or did they all just decide to leave?
I have difficulty believing that they just left, especially with Lee Know's excuse.
He was told that Bighit was not looking to debut a new boy group when he was there as a backup dancer in 2016/2017. At this point I think Bighit would have known that they would be debuting a group in the coming years and Lee Know could have stayed on as a trainee to master his skills.
This is even more confusing as Stray Kids only about a year before TXT and Ateez only a couple of months.
There has to be some personal reason they all left or it could be that my theory is correct (probably not).
2. YG and Pledis Entertainment will not give their artists comebacks unless the members are contributing to the majority of the production.
In the case of YG, it seems ever group has been having pretty consistent combacks, and older groups were as well when they were promoting. iKON, Winner, 2NE1, and Big Bang all contributed to the production of their music and were given consistant comebacks.
A really good example is iKON, Hanbin went into a writing/production frenzy and because of all the content created the group was able to have three comebacks in 2018.
This is why I believe that this is the reason Blackpink has so few comebacks.
Now I'm not shaming the girls for not writing their own music, however I feel like at this point they need to contribute to their music if they want to release anything in 2020.
In terms of Pledis we all know that Seventeen are the self-producing idols, with Woozi producing all of their content with the help of Bumzu and other members, and Hoshi, along with the performance team, choreographing all of their dances.
I believe that without this self production Seventeen would have ended up like Pristin or pre-Produce 101 Nu'est.
Pristin is a really good example of this.
Their debut was like an explosion, getting them lots of attention and praise, and even leading them to win MAMA female rookie of the year. However Pristin pretty much self-destructed after about a year or two of activity.
There is no concrete reason to why Pristin split up, as the members have told conflicting stories, however I think the lack of self-production contributed to it.
*An idol/group does not have to produce their own work to be amazing, it just depends on the company*
3. Kpop leaders tend to be rappers/producers.
I have noticed lately that about 80% of kpop group leaders tend to be a Main/Lead Rapper and they are a producer in the group. Here are some examples:
~RM-BTS (Main Rapper and Producer)
~Hongjoong-ATEEZ (Lead Rapper and Producer)
~S.Coups-Seventeen (Main Rapper)
~Nayoung-IOI (Main Rapper)
~Taeyong-NCT (Main Rapper and Producer)
~Mark-NCT Dream (Main Rapper and Producer)
~Soyeon-(G)i-dle (Main Rapper and Producer)
~Zico-Block B (Main Rapper and Producer)
~JR-Nu'est (Main Rapper)
~2NE1-CL (Main Rapper, Producer)
~Irene-Red Velvet (Main Rapper)
~Sowon-Gfriend (Main Rapper)
~JinJin-Astro (Main Rapper)
~B.I.-iKON (Lead Rapper, Producer)
There are probably tons more but these are the ones that come to mind.
I have no clue if this is just a coincidence or if rappers just have some kind of quality that makes them great leaders?
This is all for now...but there will be more.
1. Lee Know, Wooyoung, and Yeosang left Big Hit Entertainment because they weren't tall enough to be in TXT.
We all know that TXT are all giants compared to most idols, with their tallest member Soobin being 185 cm/6 foot 1 inch, and their shortest Taehyun being 177 cm or 5 foot 10 inches.
Lee Know and Wooyoung are both 172 cm or 5 foot 7 and Yeosang is 173 cm or 5 foot 8.
So did Bighit not want such a big height difference in such a small group?
Did Bighit aim to debut a group on the taller side, in order to attract a different audience?
Or did they all just decide to leave?
I have difficulty believing that they just left, especially with Lee Know's excuse.
He was told that Bighit was not looking to debut a new boy group when he was there as a backup dancer in 2016/2017. At this point I think Bighit would have known that they would be debuting a group in the coming years and Lee Know could have stayed on as a trainee to master his skills.
This is even more confusing as Stray Kids only about a year before TXT and Ateez only a couple of months.
There has to be some personal reason they all left or it could be that my theory is correct (probably not).
2. YG and Pledis Entertainment will not give their artists comebacks unless the members are contributing to the majority of the production.
In the case of YG, it seems ever group has been having pretty consistent combacks, and older groups were as well when they were promoting. iKON, Winner, 2NE1, and Big Bang all contributed to the production of their music and were given consistant comebacks.
A really good example is iKON, Hanbin went into a writing/production frenzy and because of all the content created the group was able to have three comebacks in 2018.
This is why I believe that this is the reason Blackpink has so few comebacks.
Now I'm not shaming the girls for not writing their own music, however I feel like at this point they need to contribute to their music if they want to release anything in 2020.
In terms of Pledis we all know that Seventeen are the self-producing idols, with Woozi producing all of their content with the help of Bumzu and other members, and Hoshi, along with the performance team, choreographing all of their dances.
I believe that without this self production Seventeen would have ended up like Pristin or pre-Produce 101 Nu'est.
Pristin is a really good example of this.
Their debut was like an explosion, getting them lots of attention and praise, and even leading them to win MAMA female rookie of the year. However Pristin pretty much self-destructed after about a year or two of activity.
There is no concrete reason to why Pristin split up, as the members have told conflicting stories, however I think the lack of self-production contributed to it.
*An idol/group does not have to produce their own work to be amazing, it just depends on the company*
3. Kpop leaders tend to be rappers/producers.
I have noticed lately that about 80% of kpop group leaders tend to be a Main/Lead Rapper and they are a producer in the group. Here are some examples:
~RM-BTS (Main Rapper and Producer)
~Hongjoong-ATEEZ (Lead Rapper and Producer)
~S.Coups-Seventeen (Main Rapper)
~Nayoung-IOI (Main Rapper)
~Taeyong-NCT (Main Rapper and Producer)
~Mark-NCT Dream (Main Rapper and Producer)
~Soyeon-(G)i-dle (Main Rapper and Producer)
~Zico-Block B (Main Rapper and Producer)
~JR-Nu'est (Main Rapper)
~2NE1-CL (Main Rapper, Producer)
~Irene-Red Velvet (Main Rapper)
~Sowon-Gfriend (Main Rapper)
~JinJin-Astro (Main Rapper)
~B.I.-iKON (Lead Rapper, Producer)
There are probably tons more but these are the ones that come to mind.
I have no clue if this is just a coincidence or if rappers just have some kind of quality that makes them great leaders?
This is all for now...but there will be more.